Je Crois qu'il est un peu Ferme

Je Crois qu'il est un peu Ferme is an original Modern Artwork realized in the 1830s by the French artist  Jean Ignace Isidore Gérard (Nancy, Meurthe-et-Moselle, 1803  – Vanves, 1847). 

Original Lithograph with watercolors. 

Inscripted on the lower central margin. 

Passepartout is included. Dimensions: cm 34 x 49.

Mint conditions. 

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Je Crois qu'il est un peu Ferme  is an original Modern artwork realized by the French artist  Jean Ignace Isidore Gérard  (Nancy, Meurthe-et-Moselle, 1803  – Vanves, 1847).  The name "Grandville" was his grandparents' professional stage name. Grandville received his first instruction in drawing from his father, a painter of miniatures. At the age of twenty-one he moved to Paris, and soon afterwards published a collection of lithographs entitled  Les Tribulations de la petite proprieté .  Grandville's ability for political provocation made his work much in demand. He worked in a wide variety of formats, from his first job illustrating the parlor game  Old Maid , to illustrated newspaper strips of which he was a master. His illustrations for  Le Diable à Paris  ("The Devil In Paris"; 1844–46) were used by Walter Benjamin f or his study of that city as an urban organism. One of Grandville's supreme achievements, at a time when French printing technology was ascendant, was  Les Fleurs Animées , a series of images that are both poetic and satirical.