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La Danseuse - SOLD
3.200,00 €
Non Disponibile
SKU
T-125396
La Danseuse is an original artwork realized by Italian Futurist artist Gino Severini in 1955.
Original colored lithograph. Limited edition series, numbered 88 of 95 on the lower left.
Hand-signed by the artist on the lower right corner.
Exhibition references: Primo salone dell'Associazione Incisori d'Italia , Palazzo Sormani, Milan 11 November - 2 December 1956, n. 242; Gino Severini, Musée National d'Art Moderne, Paris, July-October 1967, n. 182; VII biennial of contemporary Italian engraving, presentation by Roberto Salvini, Opera Bevilacqua La Masa, Venice, 1-20 June 1968, p. 86 et seq .; Gino Severini en Suisse, presentation by C. Journet and P. Fasel, Chateau de Romont, Romont, 15 June - September 1974, n. 10.
Ref. Gutekunst & Klipstein. Ref. Catalogue des Estampes Contemporaines Editées en 1954-55, Gutekunst & Klipstein, Bern, 1955, no. 49; Francesco Meloni, Gino Severini, Tutta l'Opera Grafica (Catalogue Raisonné), p. 68 no. 26
La Danseuse is an original artwork realized by Italian Futurist artist Gino Severini in 1955.
Original colored lithograph. Limited edition series, numbered 88 of 95 on the lower left.
Hand-signed by the artist on the lower right corner.
Exhibition references: Primo salone dell'Associazione Incisori d'Italia , Palazzo Sormani, Milan 11 November - 2 December 1956, n. 242; Gino Severini, Musée National d'Art Moderne, Paris, July-October 1967, n. 182; VII biennial of contemporary Italian engraving, presentation by Roberto Salvini, Opera Bevilacqua La Masa, Venice, 1-20 June 1968, p. 86 et seq .; Gino Severini en Suisse, presentation by C. Journet and P. Fasel, Chateau de Romont, Romont, 15 June - September 1974, n. 10.
Ref. Gutekunst & Klipstein. Ref. Catalogue des Estampes Contemporaines Editées en 1954-55, Gutekunst & Klipstein, Bern, 1955, no. 49; Francesco Meloni, Gino Severini, Tutta l'Opera Grafica (Catalogue Raisonné), p. 68 no. 26
La Danseuseis a smart and fresh artwork representing a dancer in movement realized by the Italian Futurist artist Gino Severini. The work references elements of Cubist and Futurist art to express energy in the work. In this representation, the human form dissolves and shatters into splinters of color that are embodied in the colored background. The bidimensional surface is formed by colored wedges that form both curved and straight lines. Here we can recognize an influence of the spatial division resulting from a Cubist research assimilation. Moreover, the colors are juxtaposed on the surface with flat brushstrokes to convey an overall sense of geometric design.
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